Thursday, April 30, 2026

Water and a mouth

 


"Water does not resist. Water flows. When you plunge your hand into it, all you feel is a caress.
Water is not a solid wall, it will not stop you. But water always goes where it wants to go, and nothing in the end can stand against it. Water is patient. Dripping water wears away a stone.
Remember that, my child. Remember you are half water. If you can't go through an obstacle, go around it. Water does."

—Margaret Atwood, The Penelopiad

Source: English LIterature on Facebook


Also, from Margaret:

“The difficulty is that I have no mouth through which I can speak. I can’t make myself understood, not in your world, the world of bodies, of tongues and fingers; and most of the time I have no listeners, not on your side of the river. Those of you who may catch the odd whisper, the odd squeak, so easily mistake my words for breezes rustling the dry reeds, for bats at twilight, for bad dreams.”

― Margaret Atwood, The Penelopiad

ai Art by me.

Wednesday, April 29, 2026

Tuesday, April 28, 2026

Monday, April 27, 2026

tender truth

 

The rain taps lightly on the roof of an umbrella and someone says,
listen to the rain
while someone else smiles and says,
listen to the music.
It is the same sky,
the same water falling,
the same soft drumming
on temporary shelter
but one hears the downpour,
and one hears a song.
The soil settles between our fingers as hands sink into earth and one finds grit,
whilst another finds grounding.
The ocean folds, as its waves crash hard against the waiting shore, and one sees chaos, whilst another sees beauty.
Because maybe the music never came from the rain at all.
Maybe the music and the beauty and the grounding comes from the quiet, tender truth that we do not see the world
as it is.
But as we are looking at it.
*****
A new poem that I wrote for my Patreon a couple of weeks ago. A reminder for a new week that - when it feels like the world isn't what we hope to find out there - we can still look at our own little world in a way that brings more calm, less chaos.
Becky Hemsley 2026
Lovely artwork by Maria Quezada

Source: Becky Hemsley Poetry on Facebook

Sunday, April 26, 2026

Ralph Stanley & The Clinch Mtn Boys - Dark and Stormy is the Desert

 



Dark and Thorny

Dark and stormy is the desert
Through which pilgrims make their way
Yet beyond this vale of sorrow
Lie the fields of endless day

Oh young soldiers are you weary
Of the roughness of the way
Does your strength begin to fail you
And your vigor to decay

Jesus Jesus will go with you
He will lead you to his throne
He whose thunder shapes creation
He who bids the planets roll

Around him are ten thousand angels
Ready to obey his command
They’ll all be there to hover round you
Til you’ve reached the heavenly land

There on flowery hills of pleasure
Lie the fields of endless rest
Love and joy and peace forever
Reign and triumph in your breast

Saturday, April 25, 2026

Loneliness isn’t always the sound of an empty room.

 

Loneliness isn’t always the sound of an empty room.

Sometimes it’s found in a cluttered kitchen counter, a bursting inbox, or your little one calling, “Mom, mom, mom, Mom!” over and over. Sometimes loneliness comes wrapped in the glittery bow of productivity and completed to-do lists. Sometimes it sneaks in on the best days, in the highlight moments of life, when you seem surrounded by good.

Loneliness surprises me.

I think I know how to recognize it: the silence, the echo of my thoughts bouncing off the walls of my brain, the feeling of being left out, unheard, or overlooked.

But loneliness?

It likes to hide within the noise.

It hides in tired eyes that no one seems to notice. It hides in the cracks and crevices of the typical day. I’ve felt it after racing here and there, after doing laundry and sweeping and cleaning and prepping dinner and helping with homework and rarely being asked, “How are you today?” after a day spent meeting everyone else’s needs.

Does anyone see me? Does anyone care?

And then the sigh. The breath.

And then, going right back to doing what needs to be done.

Loneliness doesn’t always look like being alone.

Sometimes it can be sitting at a table with friends or in a crowd and still feeling invisible. It can be found in doing all the right things — laughing on cue, answering messages, volunteering, staying busy — and still, deep within there is this ache, this longing for a connection that goes beyond the surface.

I know. I’ve felt that, too.

It’s surprising how quickly it can creep in and how deep it can feel.

Am I the only one?

Sometimes it feels like everyone else is moving and everyone else’s plans are unfolding, and there we are: stuck. Stuck is the loneliness of lonely places, at least for me. Stuck is lonely because who wants to say, “Look at me! I’m so stuck and I’m so alone!”

So instead, we stay quiet. It feels safer. We shrink and think, “I must be the only one.” But so often, others are walking right next to us, wondering if they, too, are the only ones.

I’ve wondered that so many times.

Loneliness is the master of disguise, honestly.

Sometimes it looks like fierce independence, sometimes like strength, and sometimes it’s within the words, “I’m fine.”

But here’s what I’ve learned: loneliness doesn’t mean something is wrong with me. Or you. It means WE ARE HUMAN. It means we are created and wired for this connection and depth, and a friend, a person seeing us and saying, “Me too. I see you.” It means my soul, your soul, has a part that wants to be seen, appreciated, and valued.

And that? That’s not weakness. It’s beautiful.

It’s part of being human.

So my dear friend, if today you’re feeling that ache, that one that often can’t be described with words, please know this: you are not alone.

You are not the only one.

You are not broken.

You are not too much or too little.

I see you. I appreciate you. I am proud of you. I value you.

I’m so proud of you for showing up, giving, and loving.

Sometimes it just takes one person to remind us that we’re seen and matter.

And today, today, that just might be me to you.

~Rachel

Source: Finding Joy on Facebook

Friday, April 24, 2026

...if we keep checking on each other

 

The first voicemail lasted nineteen seconds.

“Hi, sweetheart, this is your reminder to take the chicken out of the freezer before church. Also don’t trust those grapes in the fridge. They’ve turned on us.”

I stood in my kitchen staring at my phone and smiling like an idiot.

It had come from an unknown number.

Wrong number, obviously.

But the voice was warm and Southern and matter-of-fact in exactly the way my mother’s had been, and for one little moment, hearing a woman call somebody “sweetheart” and warn her about grapes felt like opening a window in a stuffy room.

My mother had been gone three years by then.

Long enough that the sharp pain had softened, but not long enough that I didn’t still miss her in all the ridiculous little places. At the grocery store when I reached for her favorite canned peaches. In the church pew when the alto line came in. On Sunday afternoons when I made roast chicken and wanted to ask whether she thought the potatoes needed ten more minutes.

So that voicemail landed hard.

I almost deleted it.

Instead, I listened to it twice.

The next day, there was another one.

“Baby, if you’re stopping by the drugstore, can you get the unscented lotion this time? The lavender one smells like a funeral home to me.”

I laughed out loud.

Then, because I am a grown woman with some manners, I called her back.

She answered on the second ring.

“Well, hello?”

“Hi,” I said. “I think you may have the wrong number. I’m not… whoever you’re trying to reach.”

There was a little pause.

Then she said, “Oh, mercy.”

Her voice was exactly the same as the voicemails. Soft, sure, and full of the kind of life that notices grapes.

“I am so sorry,” she said. “My daughter changed her number and I clearly wrote it down wrong because I was distracted by my neighbor’s peacock.”

I laughed. “Your neighbor has a peacock?”

“He does, and it has no respect for boundaries,” she said.

That was how I met Miss Loretta.

She was seventy-four, lived two towns over, and had one daughter named Janine, two arthritic knees, and strong opinions about lotion, produce, and doctors who “talk too fast and listen too little.”

I was fifty-eight, widowed, and still getting used to a house that echoed after dinner.

What started as me returning a wrong-number call somehow turned into a conversation that lasted twenty-eight minutes.

At one point she asked, “Do you cook?”

I said, “Enough to stay alive and comforted.”

She laughed and said, “Good. Then write this down. If your cornbread tastes dry, you’re being too proud with the buttermilk.”

I wrote it down.

That should have been enough.

It wasn’t.

Three days later, another voicemail.

This time very clearly intended for me.

“Just checking on you. The weather looked gloomy and I thought you might need a nudge to make something warm for supper.”

I called her back laughing.

After that, we settled into the oddest, sweetest routine of my life.

Loretta left voicemails.

I called her back.

Sometimes we talked five minutes.

Sometimes forty.

Her messages were tiny gifts.

“Remember to buy stamps before you run out. Running out makes people feel more isolated than they need to.”

“Take your vitamins, even if they insult your dignity with how many there are.”

“I saw strawberries on sale and thought of you, though I don’t know if you even like strawberries. That’s all.”

I did like strawberries.

I began to look forward to being thought of in such small, specific ways.

Especially because my own life, while full in many respects, had gotten terribly quiet in the spaces nobody notices from the outside.

My daughter lived in Denver.

My son called often but briefly, usually while driving.

My friends were dear but busy.

And evenings had become the kind of stillness that can feel peaceful one day and too wide the next.

Loretta’s calls softened that.

Then one week she didn’t call.

Not Monday.

Not Tuesday.

Not Wednesday.

By Thursday afternoon, I realized I was worried.

I told myself that was ridiculous. She was a wrong-number woman in another town. I did not know her last name. I had no formal reason to be concerned.

Then my phone rang.

It was her.

“Before you fuss,” she said immediately, “I had a little hospital nonsense and forgot where I put my charger.”

I sat down so fast I nearly missed the chair.

“What happened?”

“Oh, nothing dramatic,” she said in a voice that absolutely meant at least some drama. “A blood pressure scare. They’ve sent me home with stern instructions and tasteless crackers.”

That was all I needed to hear.

I asked for her address.

She said, “Now don’t get carried away.”

I said, “Too late.”

The next morning, I drove to her town with a grocery bag full of things women know to bring.

Real crackers.

Chicken soup.

Good tea.

Fresh fruit.

A better lotion than lavender.

And a little potted mum because nobody should recover from “hospital nonsense” without something alive nearby.

She opened the door in a pale blue robe, looked at me for one second, and said, “Well. I suppose this is what I get for calling strangers sweetheart.”

I laughed and stepped inside.

Her house smelled like lemon oil and books. She had afghans on the couch, framed photos everywhere, and one ceramic chicken collection that made me instantly trust her more.

We spent the afternoon together.

I fixed lunch.

She complained about doctors.

We folded towels because apparently neither of us can sit with clean laundry nearby without addressing it.

She told me stories about Janine as a teenager and about the peacock next door, whose name was apparently Kevin and who had become “emotionally entitled.”

When I left, she hugged me hard and said, softly, “You came like family.”

That undid me a little.

Because it had been a long time since someone had said something like that and meant it.

After that, our odd little friendship became real in every way that mattered.

I drove over once a month.

We went to lunch sometimes.

She mailed me handwritten recipes with notes in the margins like:

Needs more pepper if weather is rude.

I helped her set up a doctor portal she hated on principle.

She taught me how to make coconut cake that didn’t dry out.

She called when my daughter had surgery.

I called when her peacock problem escalated.

Then last spring, I had a mammogram callback.

Nothing bad in the end, thank God.

But those days waiting for the extra imaging felt like walking around with a stone in my chest.

I hadn’t told many people.

I don’t know why.

Maybe because naming fear makes it louder.

The morning of the appointment, there was a knock at my door.

A florist delivery.

Inside the box was one small bouquet of yellow roses and a card in Loretta’s handwriting.

For whatever the doctors say,

Wear the good bra.

Breathe before parking.

And remember that waiting is not the same thing as losing.

Love,

Loretta

I sat at my kitchen counter and cried into the flowers.

Because how did she know exactly what kind of care I needed?

Then again, maybe that’s what older women do best.

Not solve.

Not rescue.

Just notice the practical shape of fear and answer it with something useful and tender.

Now it’s been four years since that first wrong-number voicemail about chicken and traitor grapes.

Loretta is eighty now.

She still leaves messages.

I still save some of them.

One says:

Take a sweater. Public buildings are run by men with no circulation issues.

Another:

If soup sounds good, trust that. Soup is wisdom.

And my favorite says:

You are not bothering the right people.

I listen to that one more than I probably should.

Because she’s right.

Sometimes love arrives by blood.

Sometimes by marriage.

And sometimes by one wrong number, one warm voice, and a woman old enough to know that the world goes easier if we keep checking on each other.

Source: Cheryl Purcell on Facebook

ai art by me

Thursday, April 23, 2026

Simon & Garfunkel - Bridge Over Troubled Water (Audio)

 

Simon & Garfunkel's Bridge over Troubled Water album was released on January 26, 1970. The title single was also released that same month. As their final studio album, it topped the charts for 10 weeks in the US and won the Grammy Award for Album of the Year.

Clinging to a Bridge Over Troubled Water

I was just shy of fifteen when Bridge Over Troubled Water drifted into my life. I was a confused, headstrong teenager, certain I understood love.

I didn’t.

I fell for the boy I would marry—and stayed with for twenty-two years in a life that never quite fit. I stayed for my daughters. I stayed because I was agoraphobic. I stayed because I believed I couldn’t leave.

Until 1992, when I had no choice.

It took three years to end it on paper, and far longer to quiet the ache of regret. I think now I carried a touch of Cinderella Syndrome—waiting for something to transform that never would. Betrayal came, more than once, and each time it hollowed something out in me.

I was devastated when it finally broke.

But somewhere in that breaking, I found a kind of bridge.

Not a person. Not a rescue.
Something quieter.

A thin, trembling strength that carried me forward when I was sure I couldn’t move at all.

I didn’t cross it beautifully. I crossed it barely.

But I crossed.

And sometimes, that is the miracle—
not that we are saved,
but that we survive.

Wednesday, April 22, 2026

Wild Geese

 


You do not have to be good.
You do not have to walk on your knees
for a hundred miles through the desert, repenting.
You only have to let the soft animal of your body love what it loves.
Tell me about despair, yours, and I will tell you mine.
Meanwhile the world goes on.
Meanwhile the sun and the clear pebbles of the rain are moving across the landscapes,
over the prairies and the deep trees,
the mountains and the rivers.
Meanwhile the wild geese, high in the clean blue air, are heading home again.
Whoever you are, no matter how lonely,
the world offers itself to your imagination, calls to you like the wild geese, harsh and exciting—
over and over announcing your place
in the family of things.

Mary Oliver - Wild Geese, 1986.
Art: Kayama Matazō - Cranes, 1988.

Source: Ravenous Butterflies on Facebook

Tuesday, April 21, 2026

4am

 


I met with 4am last night
She said to say hello
And she said she’s seen a lot of you
Since several weeks ago
She said she hears your worries
When you’re lying there awake
But she’d rather watch you sleeping
With a smile upon your face
So she’s gathered up your worries
And she feeds them to the stars
And they swallow them with fire
‘Til they’re left with only half
Then they whisper to the sun
As she begins her morning climb
And the sunshine takes your worries
And accepts them every time
She chops them into pieces
‘Til she’s left with merely grains
Then she throws them to the clouds
So they can gently fall as rain
And the sunlight then transforms
Your drops of worry into hope
So that rainbow that you see?
That’s 4am saying hello

Becky Hemsley 2020
Artwork by Graciela Perrone, Artist
'4am' is in her first collection
Source: Becky Hemsley Poetry on Facebook

Monday, April 20, 2026

Sticks and Stones

 

Sticks and stones may break my bones
But words will cut me deep
They’ll keep on hurting long after
The breaks and bruises heal
Because the sticks will meet my skin,
The stones may hit my bones
But words will carve their way beneath
And make my soul their home
And this gives them the power
To control me and to win
‘Cause now I’ve words of worthlessness
From outside and within
See stones are thrown in anger
But our words are thrown in spite
And whilst they’re easier to pitch
They’re more difficult to fight
Because we cannot run away,
We cannot just unhear them,
Because their echoes resonate
Long after we are near them
And if we are not careful
Then those words become our voice
One that learns to shout the loudest
And to make the biggest noise
So do not be the reason
Someone hates their own reflection
Or thinks they are not worthy
Or deserving of affection
And when you pick your words
Weigh them awhile between your palms
Consider whether hurling them
Will heal or hurt or harm
Yes, sticks and stones may break a bone
But words can break a heart
And they can be the reason
Someone tears themself apart
So if you wouldn’t break their bones
By throwing stones and sticks
It’s likely for the best
That some words do not leave your lips
******
Becky Hemsley 2022
Artwork by Femke Muntz
'Sticks and Stones' is from 'What the Wild Replied: Poems from Human Nature' available on Amazon

Source: Becky Hemsley Poetry on Facebook

Saturday, April 18, 2026

Poetry





















I started with this paragraph and played with it ... I had help.

When the moon is my only companion
I plunge myself into memories of us 
and swim in the river of blurred dreams








When the moon is my only companion,
I plunge into memories of us
and swim the river of blurred dreams.

The water carries your voice,
stretched thin by distance and time,
and I let it pull me under—
not to drown,
but to remember how breathing once felt
beside you.

When the moon is my only companion
I close my eyes and my mind to thoughts
of living days when happiness was
easy as breathing,
when laughter did not echo back
like a question unanswered.

The night listens without judgment,
silver light stitching memories—
a face I once held close,
dreams that learned how to fade.
I stay still,
afraid that if I move,
even the moon
might leave.





When the moon is my only companion,
I plunge into memories of us—
the water colder than I expect.

I swim the river of blurred dreams,
where the current tugs at my ankles
and every shape looks like you
until it doesn’t.

I don’t reach the other shore.
I just keep moving,
quiet enough not to wake the past.





I'm told this is a poignant image—using the isolation of the night to navigate the fluid, often hazy boundary between what was real and what remains in your mind.

ai art by me


Friday, April 17, 2026

Thrifting

 


The first round is for rushing.
For hoping.
For “maybe I’ll come back.”
You move fast.
You miss things.
Everyone does.
The second round is slower.
Quieter.
That’s when the treasure shows up.
The hidden cup.
The forgotten brass.
The piece waiting for you.
Because the best finds
don’t shout.
They wait.
Always take two rounds.

unknown

Thursday, April 16, 2026

April Poem


April weeps in whispered streams
Soaking roots and waking dreams
Clouds roll in, then drift away
A lesson wrapped in silver-grey
Each drop that falls upon the land
Reminds us storms are never planned
They come unasked, they move alone
And yet they feed the seeds we’ve sown
The rain may dampen skies and shoes,
Obscure the sun and stain our views,
But what we often fail to see
Is that growth booms in times like these
For buds don’t need just sunny days,
They need the showers and the haze
As flowers trust themselves to rise
Through mud and dirt towards the skies
So when those skies begin to cry,
Don’t curse the clouds and question why
Because the truth is, without showers
We would never see the flowers
And don’t despair and don’t dismay
When all those clouds are silver-grey
For there’s a place, a role for sorrow:
To help us grow towards tomorrow
*****
Becky Hemsley 2026
I wrote this as the April poem for my 2026 calendar.
Artwork by Mark R. Pugh

Wednesday, April 15, 2026

Transformation

 



Transformation
Art & Poetry By Sophia Love Storey
Out in the open,
on soft sunny days,
a caterpillar lived
in her quiet ways.
moving softly, inch by inch,
not yet aware of
what soon would shift.
No thought of flight,
no need for more,
just a leaf to nibble,
a world to explore.
Then one day,
without a sound,
something within
longed to be found.
She slowed her steps,
then drew within,
she slowed her breath
once again.
She found a branch
and held on tight,
then slipped away,
out of sight.
Her life, once solid,
sure, and known,
softened gently,
into the great unknown.
No shape to hold,
no form to see,
just something becoming,
learning to be.
What looked like loss,
and felt like an end,
was something deeper,
learning to bend.
And in her stillness,
it was time to rise,
she slowly and softly
opened her eyes.
New wings unfolded,
soft and wide,
with quiet strength,
they reached for the sky.
Light arrived where
none had been,
life breathed through
what changed within.
transformation

Source: Sophia Love Storey on Facebook

Tuesday, April 14, 2026

Sealing your old life away for good.

 


Most people rush past the burial of Jesus to get to the resurrection, but if you slow down and sit in this moment, you will realize something powerful. The Son of God did not just die. He was carried, wrapped, and placed into a real tomb. Not a symbol. Not a metaphor. A cold, sealed place where dead bodies go. And that changes everything.
After Jesus breathed His last on the cross, a man named Joseph of Arimathea stepped forward. He was a respected member of the council, someone who had been waiting for the kingdom of God. He went boldly to Pilate and asked for the body of Jesus. This alone is significant because aligning yourself with Jesus at that moment was risky. The crowds had turned. The leaders had condemned Him. Yet Joseph stepped in, took the body, wrapped it in clean linen, and laid Him in his own new tomb that had been cut out of rock. This is recorded in Matthew 27:59–60 and John 19:40–42.
Nicodemus, who once came to Jesus at night, now shows up in the open carrying a mixture of myrrh and aloes. About seventy-five pounds worth. That is not a casual burial. That is the kind of preparation given to royalty. They wrapped Jesus according to Jewish burial customs. Every detail matters. The same body that had been beaten, pierced, and crucified was now carefully handled and laid to rest.
This moment confirmed something the world needed to know. Jesus truly died. There was no illusion. No survival. No near-death experience. His body was lifeless. The burial removes every argument that tries to say He only fainted or somehow escaped. The gospel stands on the reality that He fully entered death.
But here is where it goes deeper than most people realize. The tomb was new. No one had ever been laid in it before. That means there was no confusion about whose body it was. No mixture of remains. No possibility of misidentification. Heaven was removing every shadow of doubt before the resurrection ever happened.
Even more, the act of wrapping Him in linen speaks louder than we think. Earlier in His life, when Lazarus came out of the tomb, he came out still wrapped in grave clothes and needed others to remove them. But when Jesus would rise, the grave clothes would be left behind. This burial is setting up a contrast. What holds humanity in death cannot hold Him.
Through the finished work of Jesus, this burial was not just the end of His life. It was the burial of sin itself. Scripture says He bore our sins in His body. That means when His body was laid in that tomb, everything that separated humanity from God was being put away with Him. Not managed. Not covered temporarily. Put away.
For us today, this means your old life has already been buried with Christ. You are not trying to bury your past. You are not trying to clean yourself up enough for God to accept you. In Him, your old identity has already been carried to the tomb. This is why Romans 6:4 says we were buried with Him through baptism into death, so that just as Christ was raised, we too might walk in newness of life.
Practically, this changes how you deal with guilt, shame, and past mistakes. When those thoughts come, you do not wrestle with them trying to fix yourself. You remind yourself that what you are being accused of has already been buried. It has already been placed in the tomb with Jesus. You are not that person anymore.
And this is where rest comes in. You do not have to strive to become new. You are living from what has already been finished. Just like His body was fully placed in that tomb, your old life was fully dealt with. Nothing was left undone. You can rest knowing that when the stone was rolled in front of that tomb, it was not just sealing His body inside. It was sealing your old life away for good.

Source: Brian Romero on Facebook

Monday, April 13, 2026

Never forget the people who built the country you live in today.

 

I caught the 13-year-old boy next door throwing his tear-stained math tests into my recycling bin. What he screamed at me broke my heart forever.
"I'm stupid, alright? Dad says I'll end up a broke grease monkey just like you—with nothing to show for it but dirty fingernails!"
Leo was panting, clutching a crumpled exam paper under the flickering streetlamp.
I didn't yell. I just watched him run back to his house, his words stinging worse than a rusted bolt.
I’m 78 years old. I spent forty years building cars on an American assembly line that doesn't exist anymore.
My wife passed five years ago. My kids moved out of state. To this neighborhood, I’m just a forgotten ghost.
But for three weeks, I’d been finding pieces of Leo’s life tossed in my blue recycling bin.
Spelling tests with massive, red F’s. History essays ripped in half.
Always with the same words scribbled in the margins: *I'm dumb. Nobody cares. What’s the point?*
I went into my garage that night. I grabbed a clean cloth shop towel and a black marker.
I wrote: *"An engine that won't start isn't broken. It just needs a spark. You are not broken."*
I folded it inside his torn math test and dropped it back in the bin.
I felt like a crazy old man. I barely finished high school. My hands only know how to turn wrenches.
But the next day, the shop towel was gone.
Two days later, a new piece of paper appeared.
It was a science worksheet, half blank. At the bottom, a shaky pencil note: *"How do you get a spark if your battery is dead?"*
I smiled for the first time in years.
I wrote back: *"You get a jumpstart from someone else. Let me help."*
That’s how our secret started. He left his failures in my trash. I sent them back patched up with hope.
He couldn't figure out fractions. I explained them using socket wrench sizes—1/4, 3/8, 1/2.
He told me his dad said manual labor was a dead end for losers.
I wrote: *"Men with dirty hands built this country. Never let anyone tell you honest work is a failure."*
Then, the secret blew up.
His father, a delivery driver who looked exhausted and angry at the world, marched up my driveway one Saturday.
"Stay away from my son!" he shouted, throwing my shop towel onto the concrete.
"He needs to focus on getting a real degree, not listening to some retired mechanic living in the past."
I didn’t flinch. I looked him dead in the eye.
"Your boy is drowning," I said quietly. "He just needs someone to tell him he knows how to swim."
The father scoffed, turned on his heel, and walked away.
I thought I'd never hear from Leo again. The crippling loneliness crept back in.
But a month later, a counselor from the local middle school knocked on my door.
She asked me to come to the 8th-grade career assembly.
I sat in the back row. I wore my only good suit. It still smelled faintly of motor oil.
When Leo walked up to the microphone, the room went quiet.
"My hero doesn't wear a cape," his voice echoed through the cafeteria. "He wears stained overalls."
"He taught me that a bad grade doesn't mean I'm a bad person. He taught me that being smart isn't just about tests—it's about fixing what's broken."
"When I grow up, I want to be a mechanical engineer. I want to build things. Just like Mr. Arthur."
The room was dead silent. I saw his dad in the front row, staring at the floor, wiping his eyes.
I sat in the back, gripping my cane, trying to hold back the tears.
After the assembly, Leo handed me a folded sketch.
It was a drawing of a shiny new car engine. Underneath, he wrote: *"Thanks for the jumpstart."*
People think older folks don't have anything left to offer.
They think we are just rusted parts, waiting to be thrown away.
But sometimes, it just takes one old mechanic to fix a broken spirit.
We all need a jumpstart sometimes. Don't ever give up on the kids.
And never, ever forget the people who built the country you live in today.

Source: The Story Maximalist on Facebook
ai artwork by me